Tip #1: Turn Your Flash Off and Use Natural Light
When you begin experimenting with natural light, you will appreciate how much it flatters people–and they will appreciate this too! What’s more, turning off your flash will make your camera less conspicuous in public and open up more opportunities for candid situations. Look for indirect natural light—the shade of a tree or an awning, or diffused by your window. When light shines beside your child, you will notice interesting soft shadows adding dimensionality to your composition. Facing your child straight on, light from the front creates a very soft, shadow-less portrait. Behind your child, backlight enhances colors and creates a bright backdrop.
Tip #2: Get to Know Your Camera
Point-and-shoot cameras make picture-taking a fully automated process, but the automatic settings don’t always allow you to make the most out of a shoot. Getting to know a few things about your camera will enable you to get more creative with your shots. Here are some tips for things to research in your camera manual. 1. Learn how to turn the flash off your camera. I’ve said it already and I’ll say it again. Natural, available light is far superior to flashbulb light, so make use of it as often as you can. 2. Learn whether your camera will allow you to manually change its aperture setting. The wider the aperture, which is the size of the opening in the lens, the shallower the depth of field will be in your image. You have probably noticed and admired professional photos that have a softly blurred background and focus only on the primary subject. You can achieve this technique too by experimenting with your aperture setting. 3. Learn how to change the shutter speed of your camera. A fast shutter speed (1/250th of a second) will freeze even the fastest-moving child, while a slow shutter speed may create some pleasing motion blur that gives you visual clues about how the subject moving. Play around and see what happens! 4. Learn how to adjust the ISO of your camera (the sensitivity of your camera to light). You can often bump up the ISO of your camera to compensate for low-light conditions and avoid using a flash even in dim light.
Tip #3: Get Candid
Posed photos may have their time and place, but candid shots that capture your child unselfconsciously at play are often the ones you’ll treasure the most. I love taking pictures of my child looking directly into the camera, but I always look for opportunities to photograph him unaware. Either way, I almost never ask my subjects to say cheese.
Be patient and wait for genuine smiles. Try talking and engaging with your subject from behind the lens or sitting down with your camera during playtime. After a while, babies and children – and even adults — will forget the camera and return to whatever they’re doing. You will capture some precious moments that encapsulate the spirit of your child and your family.
Tip #5: Don’t Leave Home Without It
No amount of camera tips can make up for no camera at all. Remember to carry your camera with you as often as you can so you don’t miss out on unexpected photo opportunities. Even though many cell phones now have reasonably good cameras built in, they are usually too low resolution to generate a decent print, making them poor substitutes for a dedicated camera.
Tip #6: Hire a Pro
There is no substitute for professional photos. I know this sounds self-serving, but it’s true. Think about it: that’s why you hired a photographer for your wedding day. There’s a big difference between a casual snapshot and a carefully composed and executed image. Beautiful photos are worth their weight in gold: they become family treasures for generations. Some of the best times to hire a child photographer are along these junctures:
Newborn This phase passes so quickly, and is often preoccupied with many adjustments and distractions that make it nearly impossible to capture this time well on your own. The ideal time to have your newborn photographed is within this first two weeks of life, when they are at their sleepiest and most cooperative and can be curled into beautiful poses. Your child will never be so small and pliable again. It’s wonderful to have this time captured forever.
Six to Eight Months The next great juncture for adorable professional photographs is when your child is sitting up. They no longer need to be propped up for the camera and are quite curious and alert.
One Year This is the perfect time to capture new walkers. It can be a challenge, as toddlers are often looking down at their feet and scooting away from the camera. However, this phase of new discovery offers a great opportunity for serendipitous shots of your child in action.
Three to Four Years/With Sibling This is one of my favorite ages. Your child is now full of personality and sometimes there’s a new baby in the family, too. It’s a great time to get both children photographed together.
‘Tween/Older Children Full of personality and independence, kids of this age are a lot of fun to work with. The opportunities for creativity are almost endless. Luckily for me, I was able to take many of the types of shots of my son that I like to take for newborn clients. Still, I don’t necessarily have all of the shots I would be able to get in a dedicated newborn sitting because even as a photographer, it is hard to dedicate the time, attention and patience required to work with a newborn.
Tip # 7: Get in Close
Don’t be afraid to scoot in as close as you can when photographing your child, especially down on the ground at eye-level. Many amateur shots are taken so far back that you lose the best details: your child’s eye lashes, toes, the light in his or her eyes. Mix it up and come in close on some shots. You will love having an archive of all those little details later on. Getting down on the ground to take photos will also change your perspective and help you see your child’s world from their vantage. You will have a better chance of getting your child to look straight into the camera and the surroundings you capture will reflect their universe.
Tip #8: Click, Click, Click
Over-shoot. Digital photography is free and unlimited. Pretend your child is a fashion model on a runway or magazine shoot set. Children are fast-moving and the tiniest details – whether their eyes are open or at half-mast, whether their face is well-lit or in the shadows, the position of a hand or foot – can make or break a shot. I find that it often takes 10 frames or more to get one great one. You’ll be happy to have choices when it comes time to edit your photos.
Tip #9: Pay Attention to the Background
Have you ever shot something brilliantly only to notice later that there’s an ugly Kleenex box or some other distracting element lurking in the background? I have done this more times than I can count and I always wish that I had noticed it in the moment. Luckily, if there is something small and pesky in a favorite photo, you can usually eliminate it or lessen its impact in the frame using Photoshop. An easier technique is to get in the habit of quickly taking stock of what’s in your camera frame before starting a shoot. Push the dirty laundry and homely toys out of the way before you begin a session. Afterwards, you can push it all back.
Tip # 10: Experiment With Framing Your Shot
Our instinct is to frame our subject in the center of the lens and start shooting. There are all sorts of professional rules about composing a photo, but the basic idea is this: framing your subject in the dead center of the shot time after time is boring. Instead, experiment with the composition of your shot. If your child is looking at something, include the thing he or she is looking at in the frame, even if it means your child is off-center. If your child is running, create space in the composition for your child to run into. Think about whether your shot is best composed horizontally or vertically. If your camera has different focal points, learn how to adjust your focal point so that it moves out of the center position to the area filled by your subject. If you cannot do this, you may need to push your shutter half way down to lock the focus on your child before adjusting your composition and pushing all the way down to take the shot.